DE TODO UN POCO

2006-10-08T11:32:00.000-07:00

OMD

2006-10-07T15:12:00.000-07:00

Heart_Never

2006-10-04T23:56:00.001-07:00

the romantics - talking in your sleep

the romantics

2006-10-04T23:56:00.000-07:00

The Romantics - One In A Million

cancion vacilona
Such power pop founders as the Raspberries and Big Star may have been woefully underappreciated during their initial run in the early '70s, but by the end of the decade, several of their offspring had taken the style to the upper reaches of the charts -- including Cheap Trick, the Knack, and the Romantics. But what set the group apart from their similarly styled peers was their inheritance of the high-energy attack of their Detroit forefathers, as well as their affinity for bouffant hairstyles and matching retro outfits. Formed on the east side of Detroit during 1977, the Romantics' original lineup consisted of singer/guitarist Wally Palmar, singer/drummer Jimmy Marinos, guitarist Mike Skill, and bassist Richie Cole.

Building a local following with their live show, the Romantics issued a single on their own (via Spider Records) -- "Little White Lies" b/w "I Can't Tell You Anything" -- while a spirited performance in Toronto led to a brief union with the renowned punk/power pop indie label Bomp!, which issued another single shortly thereafter with "Tell It to Carrie" b/w "First in Line." Both singles helped bring the quartet to the attention of several other labels and the Romantics inked a deal with the Nemperor/Epic label in 1979. The band's self-titled full-length debut surfaced a year later (recorded in just three weeks) and is often considered to be the quartet's best due to the inclusion of such gems as "When I Look in Your Eyes," a cover of Ray Davies' "She's Got Everything," and one of the Romantics' best-known tracks: the power pop gem "That's What I Like About You." Although the latter track peaked at only number 49 when originally released as a single, it later became an early MTV favorite and classic rock radio standard and in the '90s, was used in several commercials.

A sophomore effort was issued the same year, National Breakout, which saw the band expand their sound to include such other styles as surf and classic Motown and was supported by an extensive world tour (including the Romantics' inaugural visits to both Europe and Australia). Also issued around this time via the Quark label (a subsidiary of Bomp!) was a compilation credited to Romantics & Friends, entitled Midwest Pop Explosion!, which featured several early tracks. Strictly Personal in 1981 signaled the Romantics' first lineup change with Coz Canler replacing Skill, and while the group's audience continued to grow, the album failed to break the band commercially, something that would be corrected on their next release.

In Heat (1983) would become the Romantics' best-selling album (going gold shortly after its release) on the strength of such Top Ten hit singles as "Talking in Your Sleep" and "One in a Million" and the quartet shed its early raw energy in favor of more streamlined songwriting. Although they had finally obtained breakthrough success, problems between the band and their management became an issue, leading to Marinos' departure. The Romantics decided to soldier on with a new drummer, Dave Petratos, resulting in 1985's Rhythm Romance, an album that saw the group move even further away from their power pop roots and embrace more mainstream rock (both musically and, judging from the album's cover, visually). Rhythm Romance would also prove to be the Romantics' last studio album issued via Nemperor/Epic as a complete falling out between the band and its management led to a lawsuit that prevented the group from touring or recording on a regular basis, leading many to assume that the group had split up. During this period of downtime, a ten-track best-of set was issued, 1990's What I Like About You (& Other Romantic Hits).

By 1990, the Romantics welcomed former Blondie drummer Clem Burke into the fold and the lineup was featured on a five-track EP three years later, Made in Detroit, which featured originals mixed with a few classic Funkadelic covers (additionally, the group played at the memorial service for the MC5's late singer Rob Tyner). In 1995, the Romantics finally settled their lawsuit against their former management and were granted control of both their publishing rights and music catalog once more. A year later, Marinos briefly rejoined the group, but by 1997, their original drummer was out once more and Burke was back in. During the late '90s, several additional best-of collections were issued (1996's Breakout and 1998's Super Hits), as well as several in-concert sets (1996's King Biscuit Flower Hour and 2000's Live, the latter of which was reissued a year later as Hits You Remember: Live). Despite not having issued a full-length studio album in two decades, the Romantics continue to tour.

2006-09-23T11:19:00.000-07:00

Kiss - Reason To Live Video

gran balada.

kiss

2006-09-23T10:07:00.000-07:00

I was made for lovin you

definitivo: un clasico
Rooted in the campy theatrics of Alice Cooper and the sleazy hard rock of glam rockers the New York Dolls, Kiss became a favorite of American teenagers in the '70s. Most kids were infatuated with the look of Kiss, not their music. Decked out in outrageously flamboyant costumes and makeup, the band fashioned a captivating stage show featuring dry ice, smoke bombs, elaborate lighting, blood spitting, and fire breathing that captured the imaginations of thousands of kids. But Kiss' music shouldn't be dismissed -- it was a commercially potent mix of anthemic, fist-pounding hard rock driven by sleek hooks and ballads powered by loud guitars, cloying melodies, and sweeping strings. It was a sound that laid the groundwork for both arena rock and the pop-metal that dominated rock in the late '80s. Kiss was the brainchild of Gene Simmons (bass, vocals) and Paul Stanley (rhythm guitar, vocals), former members of the New York-based hard rock band Wicked Lester; the duo brought in drummer Peter Criss through his ad in Rolling Stone and guitarist Ace Frehley responded to an advertisement in The Village Voice. Even at their first Manhattan concert in 1973, the group's approach was quite theatrical; Flipside producer Bill Aucoin offered the band a management deal after the show. Two weeks later, the band was signed to Neil Bogart's fledgling record label, Casablanca. Kiss released their self-titled debut in February of 1974; it peaked at number 87 on the U.S. charts. By April of 1975, the group had released three albums and had toured America constantly, building up a sizable fan base. Culled from those numerous concerts, Alive! (released in the fall of 1975) made the band rock & roll superstars; it climbed into the Top Ten and its accompanying single, "Rock 'N' Roll All Nite," made it to number 12. Their follow-up, Destroyer, was released in March of 1976 and became the group's first platinum album; it also featured their first Top Ten single, Peter Criss' power ballad "Beth." A 1977 Gallup poll named Kiss the most popular band in America. Kiss mania was in full swing and thousands of pieces of merchandise hit the marketplace. The group had two comic books released by Marvel, pinball machines, makeup and masks, board games, and a live-action TV movie, Kiss Meet the Phantom of the Park. The group was never seen in public without wearing their makeup and their popularity was growing by leaps and bounds; the membership of the Kiss Army, the band's fan club, was now in the six figures. Even such enormous popularity had its limits, and the band reached them in 1978, when all four members released solo albums on the same day in October. Simmons' record was the most successful, reaching number 22 on the charts, yet all of them made it into the Top 50. Dynasty, released in 1979, continued their streak of platinum albums, yet it was their last recorded with the original lineup -- Criss left in 1980. Kiss Unmasked, released in the summer of 1980, was recorded with session drummer Anton Fig; Criss' permanent replacement, Eric Carr, joined the band in time for their 1980 world tour. Kiss Unmasked was their first record since Destroyer to fail to go platinum, and 1981's Music From the Elder, their first album recorded with Carr, didn't even go gold -- it couldn't even climb past number 75 on the charts. Ace Frehley left the band after its release; he was replaced by Vinnie Vincent in 1982. Vincent's first album with the group, 1982's Creatures of the Night, fared better than Music From the Elder, yet it couldn't make it past number 45 on the charts. Sensing it was time for a change, Kiss dispensed with their makeup for 1983's Lick It Up. The publicity worked, as the album became their first platinum record in four years. Animalize, released the following year, was just as successful, and the group had recaptured their niche. Vincent left after Animalize and was replaced by Mark St. John; St. John was soon taken ill with Reiter's Syndrome and left the band. Bruce Kulick became Kiss' new lead guitarist in 1984. For the rest of the decade, Kiss turned out a series of best-selling albums, culminating in the early 1990 hit ballad "Forever," which was their biggest single since "Beth." Kiss was scheduled to record a new album with their old producer, Bob Ezrin, in 1990 when Eric Carr became severely ill with cancer; he died in November of 1991 at the age of 41. Kiss replaced him with Eric Singer and recorded Revenge (1992), their first album since 1989; it was a Top Ten hit and went gold. Kiss followed it with the release of Alive III the following year; it performed respectably, but not up to the standards of their two previous live records. In 1996, the original lineup of Kiss -- featuring Simmons, Stanley, Frehley, and Criss -- reunited to perform an international tour, complete with their notorious makeup and special effects. The tour was one of the most successful of 1996, and in 1998 the reunited group issued Psycho Circus. While the ensuing tour in support of Psycho Circus was a success, sales of Kiss' reunion album weren't as stellar as anticipated. Reminiscent of the band's late-'70s unfocused period, few tracks on Psycho Circus featured all four members playing together (most tracks were supplemented with session musicians), as the band seemed more interested in flooding the marketplace with merchandise yet again instead of making the music their top priority. With rumors running rampant that the Psycho Circus Tour would be their last, the quartet announced in the spring of 2000 that they would be launching a U.S. farewell tour in the summer, which became one of the year's top concert draws. But on the eve of a Japanese and Australian tour in early 2001, Peter Criss suddenly left the band once again, supposedly discontent with his salary. Taking his place was previous Kiss drummer Eric Singer, who in a controversial move among some longtime fans, donned Criss' cat-man makeup (since Simmons and Stanley own both Frehley and Criss' makeup designs, there was no threat of a lawsuit) as the farewell tour continued. With the band scheduled to call it a day supposedly by late 2001, a mammoth career-encompassing box set was set for later in the year, while the summer saw perhaps the most over-the-top piece of Kiss merchandise yet -- the "Kiss Kasket." The group was relatively quiet through the rest of the year, but 2002 started with a bang as Gene Simmons turned in an entertaining and controversial interview on NPR where he criticized the organization and berated host Terry Gross with sexual comments and condescending answers. He was promoting his autobiography at the time, which also caused dissent in the Kiss camp because of the inflammatory remarks made towards Ace Frehley. Frehley was quite angry at the situation, leading to his no-showing of an American Bandstand anniversary show. His place was taken by a wig-wearing Tommy Thayer, but no one was fooled and the band looked especially awful while pretending to play their instruments during the pre-recorded track. The appearance was an embarrassment for the group and for their fans, but Simmons was quick to dismiss the performance as another in a long series of money-oriented decisions.

billy idol

2006-09-23T09:54:00.000-07:00

Billy Idol - Speed

parte de la pelicula Speed.
Along with Duran Duran, Billy Idol was one the first pop/rock artists to achieve massive success in the early '80s due to a then brand-new U.S. television network, MTV. Mixing his bad-boy good looks with an appealing blend of pop hooks, punk attitude, and a dance beats, Idol quickly rocketed to stardom, before hard living derailed his career and almost proved fatal. Born William Michael Albert Broad on November 30, 1955, in Middlesex, England, the youngster relocated with his family for a brief spell to New York, before returning back to England. After a stint at Sussex University only last a year, Broad found himself as part of a group of teen punk rockers who befriended and followed the Sex Pistols, known as "the Bromley Contingent" (a member of this colorful group of characters was Siouxsie Sioux, eventual leader of Siouxsie & the Banshees).

It wasn't long before Broad realized that he too could be the frontman of a punk band, and assumed the name Billy Idol shortly thereafter. After a stint playing guitar in a group called Chelsea didn't pan out (interestingly, the group featured future Clash guitarist Mick Jones and future Damned guitarist Brian James), Idol put down the guitar and picked up the mic, and recruited bassist Tony James, drummer John Towe, and guitarist Bob Andrews, forming Generation X in 1976. Named after a 1960s paperback book, the band signed a recording contract with Chrysalis shortly thereafter (Towe was replaced with new skinsman Mark Laff) -- resulting in such releases as 1978's self-titled debut, 1979's Valley of the Dolls, and 1981's Kiss Me Deadly -- before splitting up.

Disappointed with Generation X's demise, Idol relocated to New York City, where he pursued a career as a solo artist. Hooking up with Kiss manager Bill Aucoin, Idol issued the 1981 EP Don't Stop (comprised of a cover of Tommy James' '60s hit "Mony Mony" and a pair of remixed Generation X tracks), which helped the singer score another record deal with his former band's label, Chrysalis. Idol found the perfect collaborator and partner in guitarist/Johnny Thunders look-alike Steve Stevens, and issued a self-titled debut in July of 1982. A pair of eye-catching videos for the tracks "White Wedding" and "Dancing With Myself" (the latter a remake of a Generation X composition) scored major air time on MTV, with both clips focusing in on Idol's spiky, peroxide blonde hair and Elvis-like sneer. The debut eventually obtained gold certification, and set the stage perfectly for Idol's big commercial breakthrough, 1984's Rebel Yell.

Rebel Yell became the singer's best-selling album of his career (eventually going double platinum), spawning such big-time MTV/radio hits as the album's anthemic title track, "Eyes Without a Face," and "Flesh for Fantasy," establishing Idol as an arena headliner stateside. But with massive success came its many distractions, which prevented Idol from issuing a new studio album until three years after Rebel Yell. 1987's Whiplash Smile was another sizeable hit on the strength of such hits as "To Be a Lover" and "Sweet Sixteen," but failed to live up to the lofty expectations set by his previous releases. Stevens jumped ship shortly thereafter to launch his own band, Steve Stevens' Atomic Playboys (and eventually was a member of Mötley Crüe singer Vince Neil's solo band), leaving Idol to fend for himself.

An eight-track best-of set, Vital Idol, was issued later the same year, spawning one of the year's most heavily played MTV videos -- a live version of the previously recorded cover of "Mony Mony" -- which helped keep Idol in the spotlight. Idol spent the next few years working on his fourth studio release, but reappeared in the summer of 1989 as part of an all-star rendition of the Who's Tommy, with Idol playing the role of the sadistic character Cousin Kevin. Around the time of Idol's next release, 1990's Charmed Life, the singer was involved in a serious motorcycle accident (in which he almost lost his leg), forcing the singer to walk with a cane for a period of time; the video for the album's lead-off single, "Cradle of Love," featured the singer filmed from the waist up. The ploy worked, as the single (which was also used as the theme song in the failed Andrew "Dice" Clay movie, Ford Fairlane) was another smash hit, making Charmed Life the fourth Idol album in a row to achieve at least reach platinum sales.

Expectedly, several years passed before the release of Idol's next album, during which time he tried his hand at acting with a bit part in Oliver Stone's motion picture The Doors. By the time 1993's Cyberpunk surfaced, Idol had dropped his spiky peroxide hairstyle in place of dreadlocks, and experimented with techno beats. The move proved to be an unwise one, as the album tanked and sank from the charts. At the same time, Idol was knee deep in drug addiction, resulting in another close brush with death when he overdosed and had to be treated in a Los Angeles hospital in 1994. Not much was heard from Idol until 1998, when he made a cameo appearance (as himself) in the hit Adam Sandler/Drew Barrymore comedy The Wedding Singer, which resulted in renewed interest. Idol teamed up once again with Stevens, was the subject of a VH1: Behind the Music special (as well as a Storytellers episode for the channel, which was ultimately issued as a CD), and issued a more extensive Greatest Hits set in 2001; the latter of which sold 500,000 copies in the U.S. alone. Next up was his first studio album since Cyberpunk, Devil's Playground, released on Sanctuary in 2005.

2006-09-23T09:53:00.000-07:00

Autograph - Turn Up the Radio

buen video y pieza
Despite scoring a massive MTV hit with their very first single, "Turn Up the Radio," Autograph quickly got lost in the shuffle of the thriving L.A. pop-metal scene. Formed in the early '80s by vocalist/guitarist Steve Plunkett, guitarist Steve Lynch, bassist Randy Rand, keyboard player Steven Isham, and drummer Keni Richards, the band seemed to have it all: a fine commercial hard rock debut in 1984's Sign in Please, good looks, great hair, and even a cartoonish drummer (half jock, half animal). Still, it wasn't enough, and by the time they released the following year's disappointing This Is the Stuff, Autograph's 15 minutes were pretty much up. 1987's Loud and Clear showed improvement, but arrived too late to save the band, which split up soon after. A posthumous collection of outtakes called Missing Pieces was released a decade later.

2006-09-15T17:11:00.000-07:00

Joe Cocker - You can leave your hat on

un calasico de Cocker ¡nada mas ver a kim Basinger!

2006-09-15T15:21:00.000-07:00

Kenny Loggins - Footloose

otra pelicula de los ochentas vacilona.
informacion:
Singer, songwriter, and guitarist Kenny Loggins was born in Everett, WA, and moved to Los Angeles in his teens. He got a job as a staff writer and wrote four songs used on a Nitty Gritty Dirt Band album in 1970, among them the hit "House at Pooh Corner." This brought him to the attention of former Poco member Jim Messina, now a staff producer at CBS, who intended to produce Loggins' debut album. The two ended up in a duo, however, and Loggins & Messina made a series of successful albums during the '70s.

Loggins & Messina broke up in 1976, and Loggins went on to solo stardom with such million-selling albums as Celebrate Me Home, Nightwatch (which included the hit "Whenever I Call You Friend"), and Keep the Fire, all in the cheerful, sensitive style he had displayed in Loggins & Messina. Loggins also became known as the king of the movie soundtrack song, scoring Top Ten hits with "I'm Alright" (from Caddyshack), "Footloose" (from Footloose), "Danger Zone" (from Top Gun), and "Nobody's Fool" (from Caddyshack II). His own albums sold less well (and came less frequently) throughout the '80s, with later efforts like 1991's Leap of Faith, 1997's The Unimaginable Life and 1998's December finding favor primarily in adult contemporary circles; in 1994, he also issued a children's album, Return to Pooh Corner, and released its sequel More Songs from Pooh Corner in early 2000

2006-09-15T13:36:00.000-07:00

Rockwell- Somebodys Watching Me

michael jackson en coros.
Born Kenneth Gordy, Rockwell is the son of Motown Records founder Berry Gordy. He changed his name so as to avoid charges of nepotism, wanting to make it in the music business on his talent alone. He signed to Motown as a solo artist without his father's knowledge, taking his name from his high school band. His first single, the Michael Jackson-esque "Somebody's Watching Me," which featured backing vocals from both Michael and Jermaine Jackson, shot into the Top Ten, hit number one on the R&B charts, and went gold; only then did he reveal his true identity. This, however, was his peak of success; the follow-up single fizzled, as did his next album.

2006-09-15T13:14:00.000-07:00

Don Johnson - Heartbeat

recuerdan Miami Vice ¿como no?
Actor Don Johnson was riding high on the massive success of his television series Miami Vice when he turned to pop music, making his debut with the LP Heartbeat in 1986. Scoring a Top Five smash with the title track, he also enjoyed success with the lavish full-length Heartbeat video, an extended narrative release co-starring Late Night with David Letterman sidekick and musical director Paul Shaffer. Although Johnson's music career ground to a halt with the commercial failure of 1989's Let It Roll, he remained in the spotlight in the years to follow, later starring in the cop series Nash Bridges.

VIDEOS DE LOS 80S

2006-09-09T12:18:00.000-07:00

ESTA ES UNA PAGINA INTERRESANTE DE LOS OCHENTAS.
SON APROXIMADAMENTE 1500.
ESTA EN ORDEN ALFABETICO SEGUN ARTISTA.

2006-09-03T13:02:00.000-07:00

Madonna - Erotica

algo de esta mujer que para algunos esta pasado de tono ¿sera ?

2006-09-03T12:52:00.000-07:00

Was (Not Was) - Walk the Dinosaur

una cancion vacilona.
informacion:
Was (Not Was) plays contemporary R&B dance music, with lyrics that range from the satiric to the bizarre. The group is led by Detroit-natives David Weiss (David Was), who plays flute and writes those lyrics, and Don Fagenson (Don Was), who plays bass and writes music, but the group is fronted by singers Harry Bowens and Sweet Pea Atkinson. Was (Not Was) first gained notice for a dance single called "Wheel Me Out" in 1980. Their first album, Was (Not Was) (1981), did not reach the charts, but its follow-up, Born to Laugh at Tornados (1983), did. Then little was heard from the group for five years. They returned in 1988 with What Up, Dog?, which featured the #16 hit "Spy in the House of Love" and the number seven hit "Walk the Dinosaur." (During this period, Don Was had become a prominent record producer, handling the board for Bonnie Raitt's Grammy-winning Nick of Time, among many other mainstream pop records.) The fourth Was (Not Was) album, Are You Okay?, appeared in 1990.Are You Okay? wasn't as commercially successful as the previous What Up, Dog? After the album's release, Don Was continued to pursue his production career, which began to increase tensions between him and David. In 1993, Was (Not Was) officially parted ways.

2006-08-26T12:46:00.000-07:00

Eddie Money-take me home tonight

OTRO BUENA CANCION.
informacion:
Eddie Money arrived in the late '70s at the height of album rock's popularity. While Money didn't have a remarkable voice, he had a knack for catchy, blue-collar rock & roll, which he delivered with a surprising amount of polished, radio-friendly finesse. He was able to survive in the early MTV era by filming a series of funny narrative videos, something his AOR peers were reluctant to due. However, he wasn't able to resist the temptations of a rock & roll lifestyle, and his popularity dipped in the mid-'80s as he struggled with various addictions. Once he sobered up, he made a remarkable comeback in the late '80s, with singles like "Take Me Home Tonight" and "Walk on Water" reaching the Top Ten. It proved to be Money's last string of hits — during the early '90s, his popularity faded and he retired to the oldies circuit....
Initially, Eddie Mahoney was going to follow in his father's footsteps and become a Brooklyn cop. He attended the New York Police Academy during the early '70s, but at night, he sang in rock & roll bands under the name Eddie Money. After a few years, he decided to pursue rock & roll as a career and quit the academy, moving to Berkeley, CA. Money became a regular at Bay Area clubs, where he eventually got the attention of legendary promoter Bill Graham, who signed the singer to his management company. Graham also secured him a contract with Columbia Records, and Money released his eponymous debut in 1977.During the late '70s, Eddie Money had a handful of album rock hits and wound up crossing over into the Top 40 with songs like "Baby Hold On" and "Maybe I'm a Fool." During the early '80s, Money began to make funny narrative videos, which became staples on early MTV and made "Shakin'" and "Think I'm in Love" hits. His career hit a slump during the mid-'80s as he struggled with various drug addictions, but he made a comeback in 1986 with Can't Hold Back. Featuring the hit duet with Ronnie Spector "Take Me Home Tonight," as well as the Top 20 "I Wanna Go Back," the album became a Top Ten smash, re-establishing Money as a successful blue-collar rocker. Money followed the album in 1988 with Nothing to Lose, which featured the Top Ten "Walk on Water." Two years later, "Peace in Our Time," taken from the 1989 Greatest Hits: Sound of Money, reached number 11."Peace in Our Time" proved to be Money's last big hit. During the early '90s, his audience slowly faded away, as both 1991's Right Here and 1992's Unplug It In were ignored. Columbia dropped him in the mid-'90s, and he spent the remainder of the decade touring the oldies circuit. He returned with a new album, Ready Eddie, in 1999.

2006-08-25T17:52:00.000-07:00

Whitesnake - Is This Love

un poco de rock del bueno
informacion:
After recording two solo albums, former Deep Purple vocalist David Coverdale formed Whitesnake around 1977. In the glut of hard rock and heavy metal bands of the late '70s, their first albums got somewhat lost in the shuffle, although they were fairly popular in Europe and Japan. During 1982, Coverdale took some time off, so he could take care of his sick daughter. When he re-emerged with a new version of Whitesnake in 1984, the band sounded revitalized and energetic. Slide It In may have relied on Led Zeppelin's and Deep Purple's old tricks, but the band had a knack for writing hooks; the record became their first platinum album. Three years later, Whitesnake released an eponymous album which was even better. Portions of the album were blatantly derivative — "Still of the Night" was a dead ringer for early Zeppelin — but the group could write powerful, heavy rockers like "Here I Go Again" that were driven as much by melody as riffs, as well as hit power ballads like "Is This Love." Whitesnake was an enormous international success, selling over six million copies in the U.S. alone. Before they recorded their follow-up, 1989's Slip of the Tongue, Coverdale again assembled a completely new version of the band, featuring guitar virtuoso Steve Vai. Although the record went platinum, it was a considerable disappointment after the across-the-board success of Whitesnake. Coverdale put Whitesnake on hiatus after that album. In 1993, he released a collaboration with former Led Zeppelin guitarist Jimmy Page that was surprisingly lackluster. The following year, Whitesnake issued a greatest hits album in the U.S. and Canada — focusing solely on material from their final three albums (as well as containing a few unreleased tracks). 1997 saw Coverdale resurrect Whitesnake (guitarist Adrian Vandenberg was the only remaining member of the group's latter lineup), issuing Restless Heart the same year. Surprisingly, the album wasn't even issued in the United States. On the ensuing tour, Coverdale and Vandenberg performed an "unplugged" show in Japan, which was recorded and issued the following year under the title Starkers in Tokyo. By the late '90s however, Coverdale once again put Whitesnake on hold, as he concentrated on recording his first solo album in nearly 22 years. Coverdale's Into the Light was issued in September of 2000, featuring journeyman guitarist Earl Slick.

2006-08-23T20:36:00.000-07:00

Rick Astley - Never Gonna Give You Up

recuerdos?
este video tiene curiosidades hay que verlo con calma.
Informacion
With his rich, deep voice, Rick Astley became an overnight sensation in the late '80s with his well-crafted dance-pop. Astley was discovered by the producer Pete Waterman in 1985 singing in the English soul band FBI. After that, Waterman's production team — Stock, Aitken & Waterman — took Astley under their wing, writing and producing such impeccably crafted pop singles as "Never Gonna Give You Up" and "Together Forever." After two hugely successful albums in the U.S. and the U.K., Astley grew tired of being labeled Stock, Aitken & Waterman's "puppet" and severed his connections with the team; he resurfaced in 1991 with the soul-injected Free, which contained the Top Ten hit, "Cry for Help."
http://www.allmusic.com/cg/amg.dll

2006-08-23T20:26:00.000-07:00

Huey Lewis & The News --- Power of Love

de la peliculas Back to the future.
informacion
Huey Lewis & the News were a bar band that made good. With their simple, straightforward rock & roll, the San Francisco-based group became one of America's most popular pop/rock bands of the mid-'80s. Inspired equally by British pub rock and '60s R&B and rock & roll, the News had a driving, party-hearty spirit that made songs like "Workin' for a Livin'," "I Want a New Drug," "The Heart of Rock & Roll," "Hip to Be Square" and "The Power of Love" yuppie anthems. At their core, the group were a working band, and they knew how to target their audience, writing odes to 9-to-5 jobs and sports. As the decade progressed, the group smoothed out their sound to appeal to the aging baby boomers who adopted them, but by the beginning of the '90s, the appeal of their formula had decreased. Nevertheless, the group remained a popular concert attraction, and they continued to have radio hits on adult contemporary stations....
fuente: allmusic.com

2006-08-23T17:18:00.000-07:00

Touch me: Samantha Fox & Günther

una version nueva de su cancion en el 2005
¿que opinan?

2006-08-23T17:07:00.000-07:00

Samantha Fox

otra mamasita de los ochentas.
¿acaso no?
ALGO DE INFORMACION:
When she was 16 years old, Samantha Fox rose to stardom in Britain as a topless model in the Daily Sun newspaper. Fox's popularity as a model soon led to a record contract. She released her first single, "Touch Me (I Want Your Body)," in 1986. "Touch Me" set the pattern for her career — frothy, sexually suggestive dance-pop with good beats and sketchy melodies. Throughout her career, Fox always accentuated her sex appeal, making it take priority over her music. Nevertheless, she had a fairly long string of hits, beginning with the U.K. number three single "Touch Me." "Do Ya, Do Ya (Wanna Please Me)" followed her debut single into the British Top Ten. Soon afterward, her records were released in America to nearly equal success. Touch Me, her debut album, went gold with the title track hitting number four. Her next two singles didn't fare as well, yet "Naughty Girls (Need Love Too)" — taken from her second album, Samantha Fox (1987) — became a number three hit in the U.S. Samantha Fox also went gold, as did 1988's I Wanna Have Some Fun, but the hits dried up after that album. Fox has since tried her hand at acting.
FUENTE: allmusic.com

2006-08-20T11:30:00.000-07:00

Sabrina - Boys boys boys (uncut)

esto es par alos maes
un buen recuerdo de los 80 s
aunque la cancion no sea buena.
¿o acaso no?
postdata ¡es sin censura !
NO ES COMO EN HOLA JUVETUD ¿CIERTO?

2006-08-18T17:02:00.000-07:00

FUNNY BABY

otro pedito

2006-08-18T16:49:00.000-07:00

Funny Fart

un pedo verde claro bhien verde y olorosito

2006-08-18T16:43:00.000-07:00

funny cats

algo acerca de gatos ¡cuidado!

2006-08-16T17:22:00.000-07:00

MI AMIGO

Barney es mi amigo ¡si!
desde que mantiene tranquilo a mi bebe es mi amigo
¡te quiero yo, y tu a mi!
Abrney es mi amigo ¡SI!

2006-08-16T15:42:00.000-07:00

new order - true faith

aquie esta un poco de musicqa delos ochentas

MI PRIMER BLOG

2006-08-06T18:10:00.000-07:00

ESTE ES EL INICIO DE MI AVENTURA EN EL CIBERESPACIO, ESPERO PERMANECER LARGO TIEMPO.
AQUI ESPERO PODER COLOCAR DE TODO UN POCO, NO HABRA TEMAS ESPECIFICOS PUEDER SER : DEPORTES, POLITICA, CULTURA, COSAS CURIOSAS, DIVERTIDAS, ES DECIR CUALQUIER BABOSADA SE VALE.
ESTE ESPERO SEA UN ESPACIO PARA PASARLA BIEN.
DE TODO LADOS RECOPILARE COSAS Y PONDRE LOS LINKS DEL CASO.
ESPERO QUE TODOS LO QUE LA GENTE QUE LO LEA SE ENTRETENGA Y ME ENVIEN SI ASI LO QUIEREN MAS MATERIAL PARA SUBIR